About ER
Computer Recycling, IT Disposal
DATA Destruction
Safe, Secure, Compliant Recycling of all types of
Waste Electrical and Electronic Equipment (WEEE)
Electronic Recycling are
computer recycling and
IT Disposal experts and specialise in recycling Office IT Equipment and all other Electronic Scrap, providing solutions for the management of all types of Waste from Electrical and Electronic Equipment (WEEE), with expert knowledge and over 13 years of experience, recycling Electronic Waste since 1996.
Licensed by Dublin City council WP98108
We provide recycling solutions for all your office electronic waste. Including but not restricted to...
- Computer Recycling
- Monitor Recycling
- PC Recycling
- Server Recycling
- Printer recycling
- IT Disposal
- Data/Hard Drive Destruction
Contact us for details of our charges
To arrange a collection just complete and return our
Booking Form. On receipt of a completed Booking Form, we will arrange collection within 24 hours
Data Destruction
For absolute security, we physically destroy hard drives. Click
here to see how we destroy your hard drives.
IF IT’S NOT SHREDDED, IT’S NOT SECURE
Materials Recovery
Our certified recovery streams ensure that equipment is recycled to the highest possible environmental standards, using Best Available Technology, and handled in accordance with all current legislation, including the 1996 Waste Management Act (amended in 2001) and the
2005 WEEE Directive
Tailored programs
We can provide tailored recycling programs for all types of electronic waste, offering recycling solutions to all sectors – Office, Commercial & Domestic.
For a full list of office equipment we can recycle, please see our
What We Recycle page.
We can collect any quantity of goods - from one item up to a full truckload - or equipment can be dropped at our facility. We provide a detailed receiving report and issue a Certificate of Recycling, showing compliance with all current environmental responsibilities.
Contact us for details of our charges.
Commercial Recycling, B2B WEEE Compliance
We offer specialist assistance and advice in handling all commercial or industrial electronic waste. From arranging logistics to cataloguing your products for asset tracking, ensuring compliance with all legislation concerning the handling of Waste from Electronic and Electrical Equipment (WEEE) and in accordance with the
EU WEEE Directive.
We can advise and assist with B2B self compliance. We have an “Irish WEEE Waste Management Plan” template and service contract. This plan has been designed by the EPA to meet the requirements of the Irish WEEE Waste Regulations 2005. We can also assist with Annual WEEE B2B Reports.
Contact us for details of our charges.
To arrange a collection just complete and return our
Booking Form. On receipt of a completed Booking Form, we can usually arrange collection within 24 Hours.
Domestic WEEE Recycling
Since the enactment of the Irish WEEE Regulations in June 2005 and implementation of the EU Waste Electrical and Electronic Equipment (WEEE) Directive in August 13th 2005, all WEEE categorised as B2C (predominantly Domestic) can be either taken to a Civic Amenity site for disposal, at no cost to the consumer or, when buying new electronic equipment, customers are entitled to return a similar item to the retailer for recycling at no cost to the consumer.
See “
WEEE and the Consumer” issued by the department of the Environment.
Recycling News
For all the latest recycling news check out our
blog or subscribe to our new E-Zine
Recycling News - providing you with up to date information regarding recycling news and environmental issues.
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B2B Compliance
B2B WEEE Compliance
(Business to Business Waste Electrical and Electronic Equipment Compliance)
Companies who sell their products exclusively in a business to business (B2B) environment must self comply with the
Irish WEEE Regulations 2005. This requires annual registration with the “WEEE Register Society”, monthly reports to the “WEEE Black Box”, submission of a three year business plan to the “Irish Environmental Protection Agency” (EPA) and registration with a compliance scheme for batteries
Electronic Recycling can provide your company with a professional, one stop shop solution to meeting all your B2B WEEE obligations under the
Irish WEEE Regulations2005 and
The Irish Batteries and Accumulators Regulations 2008
Once registered the there is a requirement to complete a monthly return to the WEEE Black Box setting out the amount of Electrical and Electronic Equipment (EEE) placed on the market in the previous month and there is a requirement to submit an annual report to the EPA for WEEE recovered in the previous year.
Electronic Recycling can prepare all documentation required by the WEEE Register Society and we have an Irish WEEE Waste Management Plan, Annual Report templates and a service contract, which have been designed to meet the EPA requirements.
EU Battery Directive
While it is possible for B2B Producers to self comply with the
Batteries and Accumulators Regulations 2008 it is difficult and expensive. Companies must register with one of the Irish Compliance schemes WEEE Ireland or ERP.
Choosing Electronic Recycling as your partner in B2B WEEE compliance gives you a dedicated compliance expert at your disposal, we keep you up to date on all legislative changes making certain that your company is fully compliant at all times
Contact us for more details and immediate service.
Once the paperwork is completed there is a need for physical recovery and recycling and
Electronic Recycling handles all commercial and industrial electronic waste. From arranging logistics to cataloguing your products for asset tracking and final recycling, using best available technology and ensuring compliance with all legislation concerning the handling of Waste from Electronic and Electrical Equipment (WEEE) and in accordance with the
EU WEEE Directive. Our recycling process achieves recovery rates well in excess of the EU requirements.
Contact us for more details and immediate service.
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Business Articles
How to Be an Ideas Factory: Loosen Your Grip on Your Creations,
From BNET | August 16, 2010
Interview by Ian Sanders
Dave Stewart is best known as a Grammy-winning musician and producer — he was Annie Lennox’s bandmate in the Eurythmics and has collaborated with the likes of Bob Dylan and Bono. But when companies like British Telecom and the ad agency Interbrand started inviting him to speak, a hidden talent came to light: Stewart is a polymath who can connect the dots between disparate subjects, generating brave new ideas. The business world was hungry for his way of thinking, and soon he took on roles as U.S. creative director of the global ad shop the Law Firm and “change agent” for Nokia. His company Weapons of Mass Entertainment, an “ideas factory” based in Los Angeles, works with partners including HBO and Virgin Comics on projects in film, television, publishing, theater, and interactive gaming.
Last month Stewart and Mark Simmons, the author of
Punk Marketing, published
The Business Playground: Where Creativity and Commerce Collide, a guide to creativity and brainstorming that introduces the straight-laced world of business to an artist’s approach to innovation. I spoke with him recently about how to present an idea, why it’s better to relinquish control over your ideas, and how businesses can create better environments for innovation.
You’ve got your hand in a lot of projects. How do you deal with the challenge of implementing all your different ideas?
Years ago, when I would have ideas it used to do my head in, because I was trying to make them work by myself. I thought, “I’ve got to own it 100 percent, so I have to build everything about it.” But as I got older I realized, “No, I’m an ideas person.” I can take an idea through prototype. If it’s a TV series, I can shoot a little bit, give it a great title, and write a draft. Now, I’m not going to try and make that series; I’m going to meet with a company that makes TV shows in that genre. And I’m just going to retain a small amount of ownership, because I want to do other things. Before, I’d get tangled up in the making of the thing. It took six months out of my life. Now we have partnerships.
The best thing, in the end, is to relinquish a lot of control. Because that allows you to be free thinking. I’d rather have 10 percent of something that took off than 100 percent of something that’s still on the table. When you’ve got a whole ideas factory, then you’ve got 10 percent or 15 percent of 50 different things. They can all be happening at once, but we’re not worrying about that because we’re not the ones making them.
What do you do with an idea once you’ve hatched it? How do you find partners to work with?
I’ve created a TV series called “Malibu Country.” When we first presented it to the producer, the presentation was a wooden box that looked like an apple box. When you opened it up, there was a “Malibu Country” shirt, music on a CD, the script treatment on a brown piece of paper. It looked like a country store. Because in my mind, it will be a store: It’ll be “Malibu Country” store, and it’ll be full of all the lifestyle feeling that the TV show is about. That’s all laid out in the presentation. When you go to someone with this, they either like it or they don’t, but they can see that you’re going to do this. Somebody is going to produce it. So they go, “Oh shit, I better not make a mistake in my decision here. This might be a huge hit!” It’s very different than just walking in and saying, “I’ve got an idea.”
You say your ideas are born out of chaos. But a lot of people in business are scared by not being in control. When you’re working with businesses like Nokia, how are you getting them to change their habits?
The creative process is chaotic. I’m not saying that when you’re executing an idea as a business that it has to be chaotic, too, but there needs to be a playroom where you can throw paint about. That should exist in all businesses, really. Because if everybody’s just sitting around analyzing everything — “Oh, we’re going to make this widget a bit smaller this year” — someone else is going to slam them from the side, and they’ll be wiped out. You see that happen all the time.
Nokia, and all the device companies, are now realizing, “We’re at the distribution point of all this content and media, and that thing in your pocket is almost like a remote control to your world.” They had tons of people on staff designing phones and all the stuff you need to make a great device company. But now it’s like, “Well, we wouldn’t mind creating content that drew people toward our devices. What is a real game-changing thing we could do with our devices?” I worked with Tim Kring on one that just hit Britain in June. [
Conspiracy for Good, a massive multi-player entertainment property that blends gaming, story telling, and projects for social good.] It’s a real interesting blindside to the whole way gaming, television, networking, everything works. I’ve just created something else, a prime-time Saturday-night television show, and I brought that to Nokia. It’s another diverse way of creating content that’s on your TV, but there’s extra content on
Ovi, which is Nokia’s cloud-computing site.
Another thing I like from your book is the idea of having a 48-hour business plan, not a 5-year plan. Weapons of Mass Entertainment can’t really have a strategic plan. So how do you lead a group of people through that kind of uncertainty?
I look at it a bit like sailing a ship. You always have somebody awake on deck with the binoculars, looking out. Businesses often don’t do that; they’re all down below, working away.
I want to be a new media company for a new age. What does that mean? Well, one thing I know is it relies on creating very interesting content and being able to deliver it in all sorts of ways for many platforms. Years ago, if you were making a musical, you’d make the musical, and then people queued up and bought tickets for it. It was marketed in the
New York Times or on Broadway. Now it’s like, “Well hang on, you’ve got to have an app, and inside that app are four free songs and insights into the world of the musical, and guess what? You just press that button, and you’ve bought your ticket.” Fifty years ago, you never would have thought of all this stuff. Some kid would just be selling tickets out on the street.
Photo of Dave Stewart by John Attwell
Watch video clips from this interview:
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